World of Jazz 558

On this show I complete my look at Ivo Perelman’s Reed Rapture In Brooklyn with music from his partnership with Ken Vandermark. There is also further music from Vandermark plus new albums from Mark Ortwein, John Bailey and Dave Stryker.

Show Intro 00:00
Ivo Perelman and Ken Vandermark “Four” from Reed Rapture In Brooklyn (Mahalaka Music) 00:54
Ken Vandermark, Klaus Kugel, Mark Tokar “Automatic Suite” from Escalator (Not Two Records) 05:30
Mark Ortwein “It Was Time” from It Was Time (Terra Voce) 20:58
John Bailey “Time Bandits” from Time Bandits (Freedom Road) 26:30
Dave Stryker “Dude’s Lounge” from Prime (Strikezone Records) 32:11
Ivo Perelman and Ken Vandermark “Fifteen” from Reed Rapture In Brooklyn (Mahalaka Music) 40:48
Ken Vandermark, Nate Wooley, Sylvie Courvoisier and Tom Rainey “The Space Between The Teeth” from Noise of our Time (Intakt) 46:22
John Bailey “Lullaby” from Time Bandits (Freedom Road) 52:49
Mark Ortwein “Lunar Love” from It Was Time (Terra Voce) 1:00:00
Dave Stryker “Prime” from Prime (Strikezone Records) 1:06:31
Ivo Perelman and Ken Vandermark “Twelve” from Reed Rapture In Brooklyn (Mahalaka Music) 1:12:50
Entr’acte “Perpetual Desk (For Ikue Mori)” from Soign Ta Droite (Audiographic Records) 1:18:59
Mark Ortwein “After You’ve Gone” from It Was Time (Terra Voce) 1:35:47
John Bailey “Rose” from Time Bandits (Freedom Road) 1:42:04
Ivo Perelman and Ken Vandermark “Fourteen” from Reed Rapture In Brooklyn (Mahalaka Music) 1:46:20
Dave Stryker “As We Were” from Prime (Strikezone Records) 1:50:20
Mark Ortwein “I Might Be Happy” from It Was Time (Terra Voce) 1:55:36

IVO PERELMAN
KEN VANDERMARK

Escalator

Recorded at Alchemia club in Kraków, Poland on May 5th, 2016 – released in 2017
Double Bass – Mark Tokar
Drums, Percussion – Klaus Kugel
Tenor Saxophone, Clarinet – Ken Vandermark

Noise of our Time

Recorded August 17, 2017 at Oktaven Audio, Mount Vernon, New York, USA. – released in 2018

Drums – Tom Rainey
Piano – Sylvie Courvoisier
Saxophone, Clarinet – Ken Vandermark
Trumpet – Nate Wooley

Soign Ta Droite

Music recorded live in concert … at the Artacts Festival for Jazz and Improvised Music, March 11, 2018.

Acoustic Bass, Electric Bass – Joe Williamson
Alto Saxophone – Mette Rasmussen
Drums – Ddkern, Steve Heather
Electric Bass, Guitar – Jasper Stadhouders
Guitar – Terrie Hessels
Piano – Elisabeth Harnik
Reeds – Ken Vandermark
Trumpet – Nate Wooley
Turntables, Electronics – Dieb13

MARK ORTWEIN

It Was Time 5:06 (late night, some Latin) Mark Ortwein, arr. Frank Glover Mark Ortwein – Bass Clarinet, Tenor Saxophone ; Olas Ortwein – Fretless Bass ; Frank Glover – Piano, String Patches ; Francis Wyatt – Drums

After You’ve Gone 6:20 (nostalgic laid back) Turner Layton & Henry Creamer Mark Ortwein – Tenor Saxophone ; Kenny Rampton – Trumpet ; John Fell – Guitar ; Olas Ortwein – Bass ; Carrington Clinton – Drums

Lunar Love 6:40 (trippy ballad)
Mark Ortwein
Mark Ortwein – Alto Saxophone ; John Fell – Guitar ; Gary Walters – Piano ; Peter Hansen – Bass ; Craig Hetrick – Drums ; Jon Crabiel – Percussion

I Might Be Happy 4:27 (fast swing)
John Fell
Mark Ortwein – Tenor Saxophone, Bassoon ; John Fell –
Guitar ; Olas Ortwein – Bass ; Carrington Clinton – Drums

JOHN BAILEY

Straightahead, swing, blues, Latin, free playing – John Bailey has traversed virtually every style and era of jazz possible during his career, forging an instantly recognizable voice and becoming the first-call trumpet player for a staggering variety of artists along the way. He leaps between those diverse interests with the dizzying agility of a veteran time traveler on Time Bandits, his spirited third album as a leader. Due out January 13, 2023 via Bailey’s own Freedom Road Records imprint, the album finds Bailey fronting a stellar quartet featuring pianist George Cables, bassist Scott Colley, and drummer Victor Lewis. The quartet spent two days in the hallowed confines of the Van Gelder Studio in Englewood Cliffs, New Jersey in early 2022.

DAVE STRYKER

Fresh off their summer tour opening for Steely Dan, Stryker releases Prime—the first recording featuring his working trio. Along with Jared Gold on organ and McClenty Hunter on drums, Stryker offers eight new compositions and the beautiful standard “I Should Care.” From the burning title track “Prime” to songs penned for his first boss Jack McDuff (“Captain Jack” and “Dude’s Lounge”) as well as “Mac” for his drummer and the original trio versions of “Hope” and “As We Were” from Stryker’s last album As We Are, Prime grooves from start to finish with the precision of a trio that
has been road-tested for the last 12 years.

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